JATRA

Celebrating International Women's Day

JATRA

A group art exhibition of Bangladeshi women artists

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““This ‘Jatra’ (The Journey) is not only that of Gallery Twenty One – it is a journey for all art-loving women and men of the country as well.””

Gallery Twenty One

Dhanmondi, Dhaka

28 Mar - 12 Apr, 2015

Organised by

Gallery Twenty One

Collaboration with

Zonta Club of Greater Dhaka

Curated by

ARTCON
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Gallery Twenty One, in collaboration with the Zonta Club of Greater Dhaka, proudly presented “JATRA”, a landmark group art exhibition celebrating the spirit, strength, and creative journey of Bangladeshi women artists on the occasion of International Women’s Day 2015.

“JATRA”—meaning journey—symbolized the evolving creative paths of women artists in Bangladesh. The exhibition brought together an inspiring constellation of established and emerging artists whose works reflected diverse experiences of womanhood, identity, resilience, memory, and transformation. Through painting, printmaking, sculpture, and mixed media, the artists collectively expressed personal narratives alongside broader socio-cultural reflections.

As a collective platform, “JATRA” not only celebrated artistic excellence but also honored the dynamic contributions of women to the cultural landscape of Bangladesh. The exhibition stood as a testament to creativity as empowerment—marking International Women’s Day with a powerful visual dialogue on equality, dignity, and artistic freedom.

Participating Artists:

Afrozaa Jamil Konka

Afrozaa Jamil Konka

Artist

Asmita Alam Shammy

Asmita Alam Shammy

Artist

Atia Islam Anny

Atia Islam Anny

Artist

Barkia Azam

Barkia Azam

Artist

Bipasha Hayat

Bipasha Hayat

Artist

Dilara Begum Jolly

Dilara Begum Jolly

Artist

Dilruba Latif Rosi

Dilruba Latif Rosi

Artist

Elham Huq Khuku

Elham Huq Khuku

Artist

Fahmida Enam Kakoli

Fahmida Enam Kakoli

Artist

Fareha Zeba

Fareha Zeba

Artist

Farida Zaman

Farida Zaman

Artist

Farzana Chowdhury

Farzana Chowdhury

Artist

Farzana Islam (Milky)

Farzana Islam (Milky)

Artist

Ferdousi Priyabhashini

Ferdousi Priyabhashini

Artist

Gulshan Hossain

Gulshan Hossain

Artist

Ivy Zaman

Ivy Zaman

Artist

Kanak Chanpa Chakma

Kanak Chanpa Chakma

Artist

Laila Anjuman Ara (Chhotly)

Laila Anjuman Ara (Chhotly)

Artist

Laila Sharmeen

Laila Sharmeen

Artist

Maksuda Iqbal Nipa

Maksuda Iqbal Nipa

Artist

Masuma Khan

Masuma Khan

Artist

Mini Karim

Mini Karim

Artist

Monowar Anis Khan

Monowar Anis Khan

Artist

Munmun Nahar

Munmun Nahar

Artist

Naima Haq

Naima Haq

Artist

Nasima Khanam Quinee

Nasima Khanam Quinee

Artist

Nasreen Begum

Nasreen Begum

Artist

Nazia Andaleeb Preema

Nazia Andaleeb Preema

Artist

Nazmun Rozy

Nazmun Rozy

Artist

Rima Chowdhury

Rima Chowdhury

Artist

Rokeya Sultana

Rokeya Sultana

Artist

Sameena M. Karim

Sameena M. Karim

Artist

Samina Nafies

Samina Nafies

Artist

Shadia Shamim Monsur

Shadia Shamim Monsur

Artist

Shameem Subrana

Shameem Subrana

Artist

Shulekha Chaudhury

Shulekha Chaudhury

Artist

Shumona Haque

Shumona Haque

Artist

Sohana Shahreen

Sohana Shahreen

Artist

Sufia Begum

Sufia Begum

Artist

Tayeba Begum Lip

Tayeba Begum Lip

Artist

Vinita Karim

Vinita Karim

Artist

“This ‘Jatra’ (The Journey) is not only that of Gallery Twenty One – it is a journey for all art-loving women and men of the country as well.”

Celebrating Womanhood With Art

Maliha Chaudhury

Artist Shameen Subrana began this journey in the mid-1980s, beginning with house-shows of young and established artists. Later, she opened a full-fledged gallery by converting her living room into a display area for the visual arts. Thus, Gallery Twenty One was born – the first of its kind that was owned and run by a woman. Subsequently, the gallery was able to relocate to its current premises because of the generosity of its owner, Simeen Hussain Rimi, MP, daughter of the country's first Prime Minister, Mr. Tajuddin Ahmed.This “Jatra” (The Journey) is not only that of Gallery Twenty One – it is a journey for all art-loving women and men of the country as well. Take for example the fact that this exhibition has brought together the works of forty women artists under one roof – an achievement by any standard. This number would have increased manifold if we had the space to accommodate them. This is proof, if proof was necessary, of the distance that women have travelled so far in Bangladesh in every field. It would be wrong to say that men did not participate in this journey. Without the support of our men-folk could we have come this far? So let this exhibition celebrate this great journey of art, women and men, and let us look to the future to a humane, civilized and peaceful society where women and men can equally flourish. This exhibition also honours our esteemed mentors - Professor Hashem Khan and Professor Rafiqun Nabi. They represent a generation of dedicated men who have trained and encouraged our young women and men in the fine arts, and made this journey possible. Zonta Club of Greater Dhaka is indeed privileged to be associated with this art exhibition. Maliha Chaudhury President Zonta Club of Greater Dhaka

Jatra - Image Divider

JATRA

Celebrating International Women’s Day

Published by
ARTCON

ISBN null

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Gallery Twenty One, in collaboration with the Zonta Club of Greater Dhaka, proudly presented “JATRA”, a landmark group art exhibition celebrating the spirit, strength, and creative journey of Bangladeshi women artists on the occasion of International Women’s Day 2015. “JATRA”—meaning journey—symbolized the evolving creative paths of women artists in Bangladesh. The exhibition brought together an inspiring constellation of established and emerging artists whose works reflected diverse experiences of womanhood, identity, resilience, memory, and transformation. Through painting, printmaking, sculpture, and mixed media, the artists collectively expressed personal narratives alongside broader socio-cultural reflections. As a collective platform, “JATRA” not only celebrated artistic excellence but also honored the dynamic contributions of women to the cultural landscape of Bangladesh. The exhibition stood as a testament to creativity as empowerment—marking International Women’s Day with a powerful visual dialogue on equality, dignity, and artistic freedom.